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09-15-2025

 

Pamela Uschuk

A HISTORY OF MORNING CLOUDS AND CONTRAILS

So you think that you can live remote

from city streets paved with bullet casings,

mass shootings in churches, refugee mothers in cages,

the beheadings of girls sprayed from cable TV.

While the intricate lace burka of contrails smothers dawn’s blush,

sky blasts dogma to smithereens over mountains
too distant to notice the woman barricaded

down the road at Fox Fire,

her automatic rifle aimed at police.

Each morning, ravens carve black questions

that go unanswered by light.  Assailed

by headwinds, they sheer, intent on laughter

as they bank nearly upside down to sing.

Sun climbs hand over burning hand

through aspen leaves going to gold bullion

anyone can spend regardless

of what bank they believe in.

Go out, lie in last season’s sinking tomato bed, pull

dead plants around you and spit seeds

at the chemical ooze of contrails jets expel

bisecting the blue intelligence of sky’s water dreams,

crosshatching quadrants between clouds

gauzy as love slipping between finger cracks.

The woman is desperate, mistakes bullets

she jams in her ex-husband’s gun for

her own screams, for his incessant fists.

How else can she feel safe?  She, too,

inhales toxins saturating sky.

Feel the warmth of an otter’s last dive

before ice takes the river. Police sirens

fade like contrails across the exhausted heart of this land.

What we relinquish in the name of security 

manipulates what we would breathe.

BULK

 

Running on the treadmill, I am thinking about bulk,

the bulk of an elephant blocking sun

as she walks past, baby

grasping her tail, letting go,

the tarpaulin bulk of her ears flapping at flies, goodbyes

trumpeting from her trunk

tender enough to sense a bruise

on her baby’s ankle, trunk

that can wrap a banyan tree

uprooting it for lunch.

Consider the bulk of a manatee,

as big as a taxi, nearly weightless

in the clear blue eye of a limestone springs,

manatee, levitating toward the bulk

of my combat vet brother, lips touching his diving mask,

tenderness he missed in his youth.

I am thinking about bulk, the bulk

of a propeller as it slices

through calm waterways, 

bulk of water lilies manatee eats

with flippers bigger than my head, 

manatee’s utterly harmless bulk

gouged by the propeller’s whirl.

Or dark bulk, the sheer weight of bandoliers,

lines of bullets fed into a machine gun,

The weight of an Israeli Humvee wracking Gaza streets,

missiles and bombs vaporizing mothers,

children at play in streets, the weight of the Torah,

Koran, King James Bible,

a mosque door made of myrtle, its

perfumed density, bulk of marble and powdered ruby

illuminating the Taj Mahal by full moonlight.

I am thinking about bulk, my brother’s six foot, three inch

bulk, his large hands stroking the manatee’s face, both

of them weighing less in water than a bale of straw,

squinting at one another, their graceful

balancing, lithe as clouds.

I am thinking about bulk, the

small bulk of a seven year old refugee

detained and dying of dehydration

and high fever on a border patrol bus, the bulk

of the mistake, lead tears

annealing the world.

 

I am thinking about bulk

and the female elephant

and the weight of tusks

and the African sun branding everything.

 

There is the bulk of one thousand pounds of elephant

fed daily to troops slaughtered by wildlife guards

because of a lack of beef. Within

a decade this bulk will cease to be.

The weight of guilt passes from husband

to wife, father to son to son to son, a feather

of guilt that stops all flight.

I am thinking about bulk,

the bulk of flowers, say gardenias

or tuber roses or lilacs in the spring,

the weight of perfume, funereal,

lotus blossoms manatee hugs to her chest to eat.

WITH A HURRICANE, SHE CLIMBS MOUNTAINS

WHILE SHE DREAMS

 

When she leans against aspen trunks,

she hears ice storms roar through

the gold coinage of leaves, a rush

like wind under the ocean, rattle

of blood in veins as big as her arms. 

Above ten thousand feet, bark toddler skin smooth, folded

and elephantine, fits to her ear

like a cool herbal sachet.

 

Clarified by the wildfire of early fall leaves, sun dogs

leap from peak to high peak, transparent

as stained glass, bioluminescent as breath

passing up through the woody heart.

 

Rain soaks her dreams of flight, nails all night

wet hawk primaries to their dusky roosts

while Congress debates our skewed history of torture techniques—

which raw beatings to lose, which waterboarding to keep. 

All night, her rescue dog snuggles close her thigh.

Lightning spikes thunder’s huge and terrible mouth

until dawn ravens croak through cloud rags, what

is left of the hurricane from the invisible gulf.

She holds silver sunrise, wafer of searing hope

under her tongue. Ice rain slicks

the bark of aspens in their distant nurseries,

far from feverish mothers barb-wired

in detention camps in Nogales, milk

crusting their blouse fronts, away from

their children, caged, curled into question marks

on military foil blankets scarring the news.

-from REFUGEE celebrated with the author's permission and selected by PoemoftheWeek.com Founder and Editor, Andrew McFadyen-Ketchum

AUTHOR OF EIGHT BOOKS OF POEMS, PAM HAS GARNERED MANY AWARDS, INCLUDING THE AMERICAN BOOK AWARD, THE DOROTHY DANIELS WRITING AWARD FROM THE AMERICAN LEAGUE OF PEN WOMEN, BEST OF THE WEB, WAR POETRY AWARD, THE STRUGA POETRY PRIZE FOR A THEME POEM , KING'S ENGLISH POETRY PRIZE AND PRIZES FROM ASCENT AND AMNESTY INTERNATIONAL. SHE IS A BLACK EARTH INSTITUTE SENIOR FELLOW AND BOARD MEMBER AS WELL AS BEING EDITOR-IN-CHIEF OF CUTTHROAT, A JOURNAL OF THE ARTS. IN SPRING 2024 SHE IS THE PEARL S. BUCK VISITING WRITER AT RANDOLPH COLLEGE IN LYNCHBURG, VIRGINIA. WHEN SHE'S NOT WRITING, SHE'S HIKING WITH HER DOG TALULAH AND HUSBAND WILLIAM ROOT OR BIRDING ANYWHERE SHE CAN.

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